Our Perfect Purpose
The Perfect Day Music Foundation was created by Lucas and Irina Meachem as a way to uplift and broaden the performance of music by underrepresented composers. Our mission is to represent inclusivity and diversity of people today by using classical music as a relevant medium to address current issues through a traditional art form.
We believe the way classical music represents ourselves as a people has a potential to evolve, as it should.
Our most pressing goal is to represent the diversity of today through all walks of life. By bringing awareness to the classic music community of composers, poets, and stories that are underrepresented such as women, people of color, members of the LGBTQIA+ community, immigrants, the Indigenous community, for example, we hope to inspire an important change and remind us all of our unified desires.
Listen To The Discussion
Through various projects and events, we hope to inspire a necessary change in classic music and put it well into action.
Carrie Jacobs-Bond is a prominent American composer who became the first woman to sell over one million copies of a song. One of her hits, “End of a Perfect Day,” portrays the beauty of coming together and the healing power of friendship and music—the inspiration for our foundation.
“Do you think what the end of a perfect day can mean to a tired heart,
When the sun goes down with a flaming ray, and the dear friends have to part?
Well, this is the end of a perfect day, near the end of a journey, too; but it leaves a thought that is big and strong, with a wish that is kind and true.
For mem’ry has painted this perfect day With colors that never fade,
And we find at the end of a perfect day The soul of a friend we’ve made.”
A Perfect Day
by Carrie Jacob-Bonds
Who We Are
Lucas Meachem
Co-Founder, President
Grammy® Award-winning baritone Lucas Meachem is one of the most accomplished, in-demand singers of the moment, captivating audiences around the world. Meachem’s 2020-21 season includes returns to Opéra national de Paris, The Metropolitan Opera, San Francisco Opera, Los Angeles Opera and The Dallas Opera for his role debut as Rodrigo in Don Carlo and the world premiere of The Diving Bell and the Butterfly. Meachem has performed at opera houses such as Vienna Staatsoper, Royal Opera House, Teatro Real, Lyric Opera of Chicago, and Bayerische Staatsoper. Meachem champions new and diverse vocal works in the repertoire which can be found in his upcoming solo debut album.
Irina Meachem
Co-Founder, Vice-President
First-generation Romanian-American pianist Irina Meachem regularly performs voice recitals and coaches opera singers and has appeared at the Athanaeum in Romania, Grace Cathedral in San Francisco, Crypt Sessions in New York City, the North Carolina Performing Arts series, and Moore County Arts Council in North Carolina. During COVID-19 she appeared on livestream recitals in collaboration with Los Angeles Opera, The Dallas Opera, and the Merola Opera Program. She frequently performs works by Romanian composers and shares her story growing up in an immigrant family.
The Perfect Day Music Foundation is a 501(c)(3) Nonprofit Organization.
Resources About Black Composers
There is an enormous body of this amazing music, but if you are searching for places to begin, we have put together some resources below that we hope will inspire you to look and listen beyond the dominant composers of Classical music’s standard Western tradition and discover new avenues of expression from people whose ancestral backgrounds that too often have been forced into the shadows. Black lives matter, now as always.
Florence Price
(1887-1953)
Born in Little Rock, Arkansas in 1887, Price won first prize in the Wanamaker Competition with her Symphony in E minor and as a result, became the first female composer of African descent to have a symphonic work performed by a major national symphony orchestra.
Learn more about Florence Price:
William Grant Still
(1895-1978)
Known as the “Dean of African-American Composers,” William Grant Still was born in Woodville, Mississippi and raised in Little Rock, Arkansas, where his mother was a high school English teacher. He began to study the violin at age 14 and taught himself to play a number of other instruments, excelling at the cello and oboe.
Learn more about William Grant Still:
Anthony Davis
(b. 1951)
Opera News has called Anthony Davis, “A National Treasure,” for his pioneering work in opera. His music has made an important contribution not only in opera but in chamber, choral and orchestral music. He has been on the cutting edge of improvised music and jazz for over three decades.
Learn more about Anthony Davis:
Undine Smith Moore
(1904-1989)
Undine Smith Moore was regarded as the “Dean of Black Women Composers.” She was originally trained as a classical pianist but developed a compositional output of mostly vocal music, her preferred genre. Much of her work was inspired by Black spirituals and folk music, and her pieces range from arrangements of spirituals to large works for chorus, soloists, and orchestra.
Learn more about Undine Smith Moore:
Margaret Bonds
(1913-1972)
Margaret Bonds began studying piano with her mother at a very early age. By the time she reached age eight, she had progressed to studying at the Coleridge-Taylor Music School. Eventually, she studied composition with Florence Price and William Dawson. In 1929, she was admitted to Northwestern University, where she was allowed to study but not to live or use their facilities.
Learn more about Margaret Bonds:
H. Leslie Adams
(b. 1932)
H. Leslie Adams is the winner of the 2015 Cleveland Arts Prize Lifetime Achievement Award. Born in Cleveland, Ohio, he attended school in California, and served many years as a choral conductor, show musical director, and educator, before becoming a composer full time in 1979. His unique music touches a wide variety of musical tastes and preferences.
Learn more about H. Leslie Adams:
Performances
Music: Florence Price
Text: Langston Hughes
Artist: Maria Corley
Artist: Darryl Taylor
Music: William Grant Still
Libretto: Verna Arvey
Artist: Dorian Hall, baritone
Artist: Dr. Timothy Cheek, piano
Music: Anthony Davis
Libretto: Richard Wesley
Artist: Nathan Granner
Music: Undine Smith Moore
Text: Sappho
Artist: Sequina DuBose, soprano
Artist: Andrew Welch, piano
Music: Margaret Bonds
Text: Langston Hughes
Artist: Icy Rene Simpson, soprano
Artist: Artina McCain, piano
Music: H. Leslie Adams
Text: James Weldon Johson
Artist: Kenneth Overton, baritone
Artist: Kevin Miller, piano
Scores
Anthology of Art Songs by Black American Composers
Vocal Collection
New Anthology of Art Songs by African American Composers
Vocal Collection
Arias, Duets, and Scenes by William Grant Still
Vocal Collection Series
Art Songs and Spirituals by African-American Women Composers
Vocal Collection
Anthony Davis Scores
All scores
H. Leslie Adams Scores
All scores
Florence Price Scores
All scores
Recordings
Been in De Storm So Long
Kenneth Overton, baritone | Kevin Miller, piano
Dreamer: A Portrait of Langston Hughes
Darryl Taylor, tenor | William Warfield, narrator
William Grant Still: Highway One, USA
Various Artists
Love Rejoices: Songs of H. Leslie Adams
Darryl Taylor and Robin Guy
Anthony Davis: X, The Life and Times of Malcolm X
Various Artists
Sankofa: A Spiritual Reflection
Oral Moses, bass-baritone
Collection curated by Dr. Derrell Acon.